Source Notes
(Blog submission below notes)
Kwame Anthony Appiah, Is religion good or bad?
Key terms:
- Religion
- Tradition
- Intellectual authority
- Colonialism
- Creedal Christianity
“So what I want you to think about next time somebody wants to make some vast generalization about religion is that maybe there isn’t such a thing as a religion, such a thing as religion, and that therefore what they say cannot possibly be true.” – Kwame Anthony Appiah
Kwame Anthony Appiah discusses the way in which the concept and definition of religion has been historically perceived through a creeal, colonial, Christian lens. This way of framing what we call ‘religiosity’ is limiting, creating contradictions, because it doesn’t have the breadth to fully encapsulate traditions outside of Christianity.
Kwame discusses the way in which in many parts of the world, historical traditions that western anthropologists call ‘religion’ doesn’t necessarily reflect the role and meaning of these beliefs play in people’s lives.
This raises questions as to the bluntness of the tool with which religion is widely conceptualised in our society, and at UAL, and the history of that tool (Christian, western, ‘academic’). By allowing groups of people to be perceived homogeneously emerges again as harmful and reductive to the complex, intersectional identity of religious individuals.
Kwame’s TED talk is, in a way, critical pedagogy in practice – the idea that we must be question where our conceptions of knowledge, and the hierarchies we place them within come from.
Jaclyn Rekis, Religious Identity and Epistemic Injustice
Key terms:
- Religious identity
- Epistemic injustice/harm
- Prejudgements
- Credibility
- Racialisation
- White, Christian secularism
- Testimonial and hermeneutical injustices
“The social-identity perspective shows us that epistemic injustice can result from overestimating our understanding of the connection between gender, race, and religion” – Jaclyn Rekis
This article examines the ways in which a lack of understanding of intersectional religious identities, and the wider societal and political context within which they exist, causes and compounds complex layers of epistemic injustice.
To exemplify this, it interrogates the way in which Muslim women who practice veiling (and are therefore hyper-visible in their religious identity) are denied credibility, agency, access, and opportunity within epistemological contexts – injustice which is compounded through the racialisation of their religion, and the interaction of this with their gender. The layered assumptions and stereotypes with which these people are regarded by others is harmful, and creates impenetrable barriers.
The article goes on to examine how the wider context of shifting norms towards secularism further negatively impact religious subjects – marginalising them and suppressing their testimony, as well as discussing the way in which political climates impact and intensify these inequalities.
“The upshot is that epistemic injustice will manifest uniquely for different religious identities, which ultimately demands an intersectional approach” – Jaclyn Rekis
Haifaa Jawad, Islam, Women and Sport
Key terms:
- Demonisation
- Polarisation
- Islamophobia
- Visibility
- Faith based needs
- Status
“Education and training for teachers, coaches, sport administrators, and organisers (both in Muslim and non-Muslim settings) needs to incorporate greater awareness of faith-based principles” – Haifaa Jawad
This article was of particular interest to me, as a woman who is interested and participates in sports, as well as a costume educator.
The article looked at the ways in which Muslim women, particularly those in the diaspora, who wear the Hijab, are prevented from participating in sports because of western sporting frameworks and structures which prevent them from doing so (including sports kit design, changing rooms, and mixed gender environments).
The intersectional facets of identity at play include are (visible) faith and gender, which interact with the effects of the wider community and structures within which these women live, and their interest (or potential interest) in participating in sports. It suggests that educators and sports facilitators need to actively seek a better understanding of faith-based principles, and that visible Muslim women should to be encouraged to participate, and keep participating in the sporting world.
Simran Jeet Singh, Challenging Race, Religion, and Stereotypes in the Classroom
Key terms:
- Discrimination
- Racism
- Confrontation
- Challanging stereotypes
- Empathy
- Humanist approach
- Fear mongering
- Propaganda and argumentation
“this nation was founded on practices of discrimination and racism and that has continued to this day and we’re seeing it boiling over in the present moment” – Simran Jeet Singh
Simran Jeet Singh is a religion professor at Trinity University. He discusses the need to confront issues of racism and discrimination that people ignore, but that exist, using contemporary examples.
He talks about the harmful practice of painting of a whole community with one brush – but that recognising that each community is diverse, is essential. This educator tries to challenge stereotypes within the classroom by showing differences between people, and encouraging an empathetic, human approach. Simran Jeet Singh uses the intersections within his own identity to express and demonstrate this to others.
IP Blog 2: Faith
Recurring Themes
All of these resources bring light to the harmful and presumptuous ways in which that we/UAL conceptualise religion. As Kwame Anthony Appiah explains in his TED talk (2014), the established lens of academic is western, colonial, and Christian, carrying with is homogenising stereotypes and assumptions that disregard intersectional identities, and create layers of barriers.
My Teaching Context and Going Forwards
In my own teaching context, an awareness of this in the way I understand the individual, complex, intersectional identities of the students I work with is essential, and time and space to research and better understand faith-based principles would positively impact my ability to consider and adjust the studio environment to be more inclusive, and discontinue to perpetuate epistemic injustices, as laid out in Rekis’ paper (2023).
For example, this may include creating time and space to research and provide examples of contemporary costume performance art and artists who have intersectional identities that include religion. In order to broaden representation meaningfully, the identities of the artists will need to be conveyed to students, as Simran Jeet Singh suggests (Trinity University, 2016).
In direct response to Haifaa Jawad’s article about Muslim women in sports (2022), this could also include practical , physical changes to the studio environment. For example, the inclusion of private changing space in the rooms I work within. Within the wider performance industry, there is a distinct lack of time, thought and effort around the issue of modesty and privacy- in relation to faith as well as other intersecting facets of individual identity. Similarly to visible Muslim women who participate in sports in the UK, visible Muslim women who participate in performance in the UK will experience similar barriers.
Could I instigate the purchase of a private changing space/spaces in the costume studio? This is a barrier which may be preventing other students from using the space/costume in general for other intersectional reasons.
In my last workplace (also working with students and costume for performance) I identified a need for and installed a private changing space – something which it became clear very quickly was needed, given its immediate popularity during fittings. In this instance it was considered to be due to the prevalence of students feeling self-conscious and uncomfortable changing in the space because of body dysmorphia, which were perpetuated by the circumstances of the covid-19 pandemic. However, this assumption may have been masking may intersectional facets of students’ identities, including faith, which may have made them feel uncomfortable changing in front of others.
(w/c 418)
References
Trinity University (2016) Challenging Race, Religion, and Stereotypes in the Classroom. [Online]. Available at: https://www.youtube.com/watch?v=0CAOKTo_DOk
Jawad, H. (2022) Islam, Women and Sport: The Case of Visible Muslim Women. [Online]. Available at: https://blogs.lse.ac.uk/religionglobalsociety/2022/09/islam-women-and-sport-the-case-of-visible-muslim-women/
Appiah, K. A. (2014) Is religion good or bad? (This is a trick question). Youtube [Online]. 16 June. Available at: https://www.youtube.com/watch?v=X2et2KO8gcY
Rekis, J. (2023) Religious Identity and Epistemic Injustice: An Intersectional Account. Hypatia 38, pp779–800.
Oh my… fascinating…
Theatre…. Private changing spaces…. Costumes … this reality of this made me think…. as it is an industry I’m familiar with and suddenly the logistics of implementation made me wonder whether it is funding that is slowing progress and then I started looking https://www.themuslimnetwork.org/articles/the-rights-of-women-in-islam-a-complete-guide to see if there was any information on how facilities /processes / systems can be adapted… I think it was after loving the transactual website where they clearly state if you have 5 minutes you could do this… if you have an hour etc but sadly I haven’t found anything yet…
And sportswear… I had to look into that… https://www.bbc.co.uk/sport/64796465
Thanks so much for these links Liz!
Definitely going to go and have a look at these, as assessing and adapting physical studio spaces that centre around dress/body is something I’m going to consider as a possible intervention/action research. Or, maybe producing a list of guidance/considerations to make as a technician working in a space like the one I do that is as easy to read and navigate as the transactual one.
Your highly structured and analytical approach is always a learning experience for me, thank you.
Your analysis of Kwame Anthony Appiah’s video is exemplary and has helped me understand some of the concepts within it that I was struggling with.
Specifically, these parts of your analysis I found really useful:
– That our “concept and definition of religion has been historically perceived through a credal, colonial, Christian lens”
– How our understanding is limited by the way we frame the subject, so brilliant to talk about decoloniality more broadly
– The western lens doesn’t reflect the role and meaning of these religious beliefs in other people’s lives
– Again this can really help us understand truly what decoloniality means, that we are blinded by our own understanding, to the cultures and beliefs of others
– How this ‘blunt tool’ as you describe it, of homogeneously perceiving groups of people causes harm and reduces the complexity of their intersectional identities.
– In my own practice and teaching, I want to understand where my conceptions of knowledge come from, and how I can question them and understand more about alternative ways that design can exist.
Haifaa Jawad, Islam, Women and Sport
This reminded me of the Nike Pro Hijab that was nominated for the Design Museum’s Designs of the Year, back in 2012
https://designmuseum.org/exhibitions/beazley-designs-of-the-year/fashion-20xx/nike-pro-hijab
Thanks so much Stephen, I enjoy how you’ve distilled my ramblings down!
This is a brilliant reference to have, thank-you so much. It would be so interesting to look further into sports and performance, in relation to inclusive design – I feel as though sports may be ahead of performance in its approach? Or perhaps its just different because the industries are different. Something to think on!
As ever, you are able to skilfully distill messages in texts and then utilise them within practical work situations.
I like the idea of creating space and time for these subjects, something which is at a premium for us as practitioners. It made me think about how different roles within the university may encourage or prohibit this kind of thinking. I.e HPL’s may struggle to reach beyond the confines of their role whereas permanent members of staff may be able to schedule some time into planning/implementation of new material (something which i think we all would like to do).
Also how much intersectionality has affected the work of Marina Abramovic, (one of my favourite performance artists). She accredits her hard Slavic upbringing during various wars with her capacity to endure pain, whilst the religious teachings of her Grandmother imprinted spirituality and a sense of wonder at things transcendent. Fascinating lenses with which to analyse work. What parts of us and those of our students do we/they bring into practice?
Thanks Rob. I totally agree – if only budget and time wasn’t so stretched, or if space for these things was seen as a top priority! Perhaps the landscape will shift after the election…
That would be a really interesting bit of research to delve into though, the way in which the university employs people does directly affect their ability to spend time reflecting and thinking about these really key facets of our work as educators.
Oh I really enjoy this bit of info about Abramovic, she’s also one of my favourites. Knowing this does add important context to her work, and how her identity, experience, and positionality affects her practice.